That opportunity, he felt, would come, as it comes to all in war time. The water, the banks, the forests, the now distant bridge, fort and men--all were commingled and blurred. He was now in full possession of his physical senses.
A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! He frees his hands, pulls the noose away, and rises to the surface to begin his escape. Keen, poignant agonies seemed to shoot from his neck downward through every fiber of his body and limbs.
The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded. His senses now greatly sharpened, he dives and swims downstream to avoid rifle and cannon fire.
Adam Young has said that this story was the inspiration for the name of his electronica musical project, Owl City. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs.
It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. No fields bordered it, no dwelling anywhere. Influence[ edit ] The story's irregular time sequence and "blink-of-an-eye" twist ending has inspired numerous works, including: Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray.
I saw the order. They shouted and gesticulated, pointing at him. A rising sheet of water curved over him, fell down upon him, blinded him, strangled him!
He was now in full possession of his physical senses. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight.
He rushes to embrace his wife, but before he can do so, he feels a heavy blow upon the back of his neck; there is a loud noise and a flash of white, and "then all is darkness and silence". His features were good--a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock coat.
They were in silhouette against the blue sky. That is a good gun. Nevertheless, this one had missed. And now he became conscious of a new disturbance.
He closed his eyes in order to fix his last thoughts upon his wife and children. From this state he was awakened—ages later, it seemed to him—by the pain of a sharp pressure upon his throat, followed by a sense of suffocation.
Not so much as the barking of a dog suggested human habitation. They were, indeed, preternaturally keen and alert. The wood on either side was full of singular noises, among which—once, twice, and again—he distinctly heard whispers in an unknown tongue.
In this first section, critics note that Bierce utilizes a myriad of details and military terminology to create an almost handbook description of how to hang a man. They shouted and gesticulated, pointing at him. From this state he was awakened--ages later, it seemed to him--by the pain of a sharp pressure upon his throat, followed by a sense of suffocation.
The moment of horror that the readers experience at the end of the piece, when they realize that he dies, reflects the distortion of reality that Farquhar encounters. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right.
In few moments he was flung upon the gravel at the foot of the left bank of the stream -- the southern bank -- and behind a projecting point which concealed him from his enemies. They were in silhouette against the blue sky.
No fields bordered it, no dwelling anywhere. Excepting the group of four at the center of the bridge, not a man moved. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum.
Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view.
A sentinel at each end of the bridge stood with his rifle in the position known as "support," that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest--a formal and unnatural position, enforcing an erect carriage of the body.
They shouted and gesticulated, pointing at him. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek!became a recurring theme in Bierce’s postwar short stories, including his suspenseful tale different point in time.
After you read each section, summarize An Occurrence at Owl Creek Bridge Ambrose Bierce 10 20 I A man stood upon a railroad bridge in northern Alabama, looking down into the. "An Occurrence at Owl Creek Bridge" () is a short story by the American writer and Civil War veteran Ambrose Bierce.
Regarded as "one of the most famous and frequently anthologized stories in American literature", it was originally published by The San Francisco Examiner on July 13,and was first collected in Bierce's book Tales of Genre(s): Short story. An Occurrence at Owl Creek Bridge by: Ambrose Bierce "An Occurrence at Owl Creek Bridge" is a short story by Ambrose Bierce that was first published in An Occurrence at Owl Creek Bridge Image: La Rivière du hibou, Robert Enrico, A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below.
Ambrose Gwinnett Bierce () was an American editorialist, journalist, short story writer, fabulist and satirist. Today, he is best known for his short story, An Occurrence at Owl Creek Bridge and his satirical lexicon, The Devil's Dictionary.4/5(K). Full online text of An Occurrence at Owl Creek Bridge by Ambrose Bierce.
Other short stories by Ambrose Bierce also available along with many others by classic and contemporary authors.Download